Power by space is a collection of experiments done by Corpo-real students. Corpo-real is located in Zwolle, where students and tutors develop a research-driven spatial design practice geared towards an unknown future.
We used the Atlas-Method throughout the study to record the process and seek connections between different themes and experiments.
Container ports, like Rotterdam, shape our world with their square, efficient thinking. This square mentality influences our lives, pushing us to prioritize efficiency over beauty, relaxation, and non-productivity. The introduction of containers in the 1960s revolutionized production, promoting just-in-time thinking and eliminating waste. However, this thinking has led to overworked
Understanding the subtle nuances of nonverbal communication, particularly through body movement, can play a crucial role in interpersonal interactions. This experiment aims to explore how the fluidity of body movement, inspired by the elegant strokes of calligraphy, can shape and enhance communication. By documenting these movements through the medium of
This research installation is our way to experiment with perceived reality. We tried to manipulate the participants in a soft and almost invisible way by mixing reality, a made up story, perspectives and times.
We aimed to explore the power of scent perception by engaging participants in a multi-sensory experience. Students were exposed to unfamiliar odors and tasked with visually representing the smells through collages of colors and shapes. Additionally, they used cut threads to symbolize the volume or length of each scent. This
Research question Is sound a factor in how we perceive unpowerful spaces?What are the characteristics of sound in unpowerful spaces? Experiment To fully understand our task of spreading power through space, we first had to explore the power dynamics of space. We visited spaces we felt were inherently powerful, but
In this experiment we tried to understand the empowering effects of engaging different parts of the body in the thought process and the significance of liberty in cultivating a sense of power. Additionally, we tried to investigate the amplifying influence of group participation, particularly in the context of harmonious chanting,
Research question How does changing our sensual input affect our perceptions of a space? Experiment To first explore this question we focus our experiment on the sense of touch. When it comes to navigating and becoming familiar with space we often rely on sight and sound to get around. Touch,
Research questionHow can sound inform wayfinding in space?Can the sounds from powerful places be applied to other spaces and have a similar effect? Experiment To answer this question we first had to understand what kinds of sounds we hear in everyday life that cause us to react in certain
With this research we tried to explore new spatial embodiment.
Introduction In this experiment we tried to investigate the influence of sound on spatial perception and orientation. The objective was to comprehend how different auditory stimuli impact the perception of space and aid individuals in understanding its dimensions. In the experimental setup, participants were blindfolded and exposed to three distinct
How can we make the power of humour usable? To answer this question, we tried to understand the relationship of power and humour by researching through both theoretical desk research and practical experiments. Our topics developed from body language and awkwardness to an investigation of professional comedy, until we studied
Research questionCan we bring the power back to the signs, by implementing them in playful ways into the interior of the space itself? Experiment After the experiment “Signs one”, results showed that the classic design of the sign does not work on human any more, even if being placed in
Research question What if we add important official signs in their peripheral sight on the doors that are used daily? Would one new red circle on the door bring power back in the space? Experiment Implementing official signs to the space people use every day, to see how aware they are
EMBODIED RESEARCH “Our possessions are a major contributor to and reflection of our identities” Belk, Russell W. “Possessions and the Extended Self.” Journal of Consumer Research 15, no. 2 (1988): 139–68. http://www.jstor.org/stable/2489522. Our project started with the point of power that has come with devices. Devices, especially phones, have a
WHAT OUR HANDS CAN DO For the next phase of our process, our group went to a clay studio together. We wanted to make miniatures to carry our emotions. The reason we choose clay is that clay can make it easily the exact shape we want to create in this
With this experiment, we wanted to find out at what point we start to experience the feeling of awkwardness in public. To do so, we went to different places on our campus and in the city and noted our impressions in the following settings: 1a. Standing together with someone 1b.
This experiment aims to bridge the gap between physical and digital spaces by translating human body movements into a digital format using Grasshopper/Rhino scripting and a kinetic camera. By capturing and analyzing these movements, the study seeks to explore how physical gestures can be quantified and interpreted within a computational
Research question Is sound a factor in how we perceive powerful spaces?What are the characteristics of sound in powerful spaces? Experiment To fully understand our task of spreading power through space, we first had to explore the power dynamics of space. Some spaces are identified as inherently powerful. Still interested
To combine our findings from the first semester on body language and awkwardness, we created an installation which could be used as a method to make the impact of our bodies’ position and the circumstances on our credibility visible. To do so, we put the speaker on a pedestal with
Introduction In this experiment, we aimed to investigate the impact of sensory deprivation and auditory stimulation on imagination and a feeling of escapism. Three participants were blindfolded and transported to an unfamiliar location. Once there, they were provided with headphones and instructed to explore the space using only their sense
With the outbreak of the war in Ukraine, many people had to flee their homes. Spreading out among neighbouring countries, these people were desperately in need of help. To spread awareness within host countries we came up with a series of micro interventions, small in size – big in meaning.
Colors evoke emotions and associations, while abstract art removes fixed meanings, encouraging free thought. By combining these elements, this experiment examines how they inspire imagination. This experiment explores how color and abstract art affect imagination. Participants are immersed in a cylindrical installation featuring a vibrant abstract painting. They observe the
Ingrid van Zanten (head)
Roos Krootjes (programme coordinator)
+31 (0)38 42 70 500
corporeal@artez.nl
https://corpo-real.artez.nl/in
@corporeal.artez