Power by space is a collection of experiments done by Corpo-real students. Corpo-real is located in Zwolle, where students and tutors develop a research-driven spatial design practice geared towards an unknown future.
Research question How does changing our sensual input affect our perceptions of a space? Experiment To first explore this question we focus our experiment on the sense of touch. When it comes to navigating and becoming familiar with space we often rely on sight and sound to get around. Touch,
Research question Is sound a factor in how we perceive unpowerful spaces?What are the characteristics of sound in unpowerful spaces? Experiment To fully understand our task of spreading power through space, we first had to explore the power dynamics of space. We visited spaces we felt were inherently powerful, but
We made a simple tent structure and placed it at different locations throughout the city of Zwolle. With this research method we could quickly take over a space while trying to find a sense of belonging.
Our non-verbal communication experiment marks the initial step towards understanding the efficacy and potential limitations of gestures as a medium for effective communication. We aimed to explore the extent to which non-verbal cues can bridge communication gaps across individuals with different linguistic and cultural backgrounds. Key questions include identifying the
With this research we explored new spatial embodiment. The aim was to find new types of shelters and how a shape can adapt to its need.
The current refugee crisis in housing demands for better solutions. Refugees are often not seen as part of the society and this is what we wanted to change. We asked ourselves the question: “How refugees and locals gather?”.
What is the space between understanding and not understanding? What is lost in translation? How powerful is body language?
Research question Is sound a factor in how we perceive powerful spaces?What are the characteristics of sound in powerful spaces? Experiment To fully understand our task of spreading power through space, we first had to explore the power dynamics of space. Some spaces are identified as inherently powerful. Still interested
TABLE OF EMOTIONS To investigate the subject of symbols in space further, we decided to translate the symbolic act of putting things on the table into a physical table in which emotions could be placed inside, so it would become a table that holds emotions. We worked with miniatures because
Mapping places where you can connect and places where you can be private. No connection, more quiet place, lass traffic flows Back cover, as much protection as possible, not in the middle. Sit or stand?
Research question What if we add important official signs in their peripheral sight on the doors that are used daily? Would one new red circle on the door bring power back in the space? Experiment Implementing official signs to the space people use every day, to see how aware they are
Based on our previous experiments, we wanted to find ways to break the power that being put in a higher position gives us. To do so, we created a setting in which one person gets the task to read a text to another person. To compare different situations, we changed
“Which Ones Have You Heard?” Wander with the melody and listen to the world in all its diversity. Every city, every country, has its own unique sound. whether it’s the bustling rhythm of daily life or a touch of romance in the air. Urban symphonies echo through every corner, day
Research Question how to explore a city by its sounds and smells? Our research explored the sensory identity of Zwolle’s city center by focusing on how everyday sounds and smells shape our perception of public space. These sensory layers often go unnoticed, yet they are deeply tied to the rhythms,
Our habits are created by design and create design at the same time. It’s a matter of interaction. We have habits or even addictions in our modern lives. We are all at some point addicted to technology, even unthought and unconscious. We do everything with a designed gadget. I designed an experiment of living 7 days each day 6 hours without technology and stayed in various spaces to see how space can affect my addiction to my phone.
What is the meaning of having a HEALTHY BODY in relation to POWER in SPACE ?
For this experiment, we opted to explore body movement and language through our unique approach. Our methods were centered around Arabic gestures, performative storytelling, and the expressive language of music. https://youtu.be/3_8mZwivH2I 1. Arabic Gestues The objective of this experiment is to provide participants with an educational experience regarding non-verbal communication
The inspiration for this experiment originates from the Museum of the Future in Dubai, where the museum’s walls are adorned with intricate Arabic calligraphy. This creates a uniquely multidimensional linguistic space, blending visual and verbal elements. The engraved Arabic calligraphy not only serves as an aesthetic feature but also as
EMBODIED RESEARCH “Our possessions are a major contributor to and reflection of our identities” Belk, Russell W. “Possessions and the Extended Self.” Journal of Consumer Research 15, no. 2 (1988): 139–68. http://www.jstor.org/stable/2489522. Our project started with the point of power that has come with devices. Devices, especially phones, have a
Research question How does each genre of music (Classical, Contemporary, and Minimal) influence the choice of colors and lines in participants’ drawings? Are there consistent visual elements that emerge across different participants’ drawings when they listen to the same genre of music? What patterns, if any, can be identified that
What happens when we behave in an unusual way in public? To find out, we did various experiments, including an exaggerated slow and fast walk, jumping jacks, and stopping at green lights. Results: • circumstances (place/ people etc.) play big role • how familiar are the surroundings? • there is
Our experiment on inefficient listening examined the interplay between power and space. In a basement setting, we deconstructed the elements of Bohemian Rhapsody, dispersing individual instruments into separate spaces. To hear the entire song, participants had to navigate swiftly through the fragmented areas. This experiment highlighted the power dynamics inherent
We used the Atlas-Method throughout the study to record the process and seek connections between different themes and experiments.
Irene Muller
(research tutor)
Ingrid van Zanten (head)
Roos Krootjes (programme coordinator)
+31 (0)38 42 70 500
corporeal@artez.nl
https://corpo-real.artez.nl/in
@corporeal.artez